— About
I build things that run without me.
At KaavOps, I design AI-powered revenue systems for agencies and B2B service providers — the kind of infrastructure that handles lead generation, client onboarding, and follow-up automatically, so founders can focus on the work that actually requires them.
At Simine Paris, I run a contemporary art gallery focused on Iranian artists. We organize exhibitions in Paris and internationally, and believe strongly that Iranian contemporary art belongs at the center of Europe's cultural conversation — not at its margins.
I work solo, move deliberately, and prefer depth over speed.
— Ventures
What I run
KaavOps
kaavops.com ↗AI Automation Agency · Paris & Europe
KaavOps designs revenue infrastructure for agencies and B2B service providers. The core problem: most service businesses are built around manual, founder-dependent revenue processes. Lead generation runs on personal network. Follow-up happens when someone remembers. Client onboarding depends on whoever has the most context that week.
We replace these processes with automated systems — built on n8n, connected to CRMs and outreach tools, and designed to run continuously without human intervention. The result is not just efficiency. It is predictability. Clients know their pipeline is working even when they are not looking at it.
We work across France and Europe, primarily with founders who have already found product-market fit and need infrastructure to match their ambition.
Simine Paris
Contemporary Art Gallery · Paris
Simine Paris is a gallery with a focused thesis: Iranian contemporary art deserves a permanent, serious presence in Europe's cultural conversation — not a periodic appearance at the margins.
We organize exhibitions in Paris and internationally, working directly with artists on programs that make a genuine argument rather than simply presenting work. Context matters. The political and social pressures Iranian artists work under are not footnotes — they are part of what the work is doing.
The gallery serves two audiences simultaneously: collectors and institutions who want to engage seriously with this tradition, and broader publics who encounter this work for the first time. We try to serve both without condescending to either.
— Method
How I work
Solo. Both businesses run without employees. This is a deliberate choice, not a constraint — it forces clarity about what actually matters and what is just noise. Systems do what people would otherwise repeat.
Tools-forward. I build with what works, not with what is fashionable. The stack is stable, well-understood, and chosen because each tool does one thing well.
Depth over speed. I would rather understand a problem completely than ship a solution that solves the wrong thing quickly. This applies to both client work at KaavOps and to curatorial decisions at Simine Paris.
Current stack
- n8nAutomation orchestration
- Claude CodeDevelopment
- ClickUpOperations & project management
- LinearSoftware project tracking
- NotionReference & documentation
— Interests
What I think about
AI & automation
Not as a trend — as infrastructure. I am interested in how systems can take repetitive cognitive work off human plates entirely.
Contemporary art
Particularly the relationship between cultural production and political context. Iranian contemporary art is the specific area where I have built sustained knowledge.
Business models
How businesses actually make money, and why most automation projects fail to connect to revenue. The gap between a useful system and a profitable one is usually a design problem.
Persian history & culture
A personal and ongoing education — roots, language, literature, and how a civilization talks to the present tense.
— Background
Where I come from
Iranian roots, Paris life. I have been based in France long enough for it to be home, and connected to Iran closely enough for it to remain essential. Both inform the work — the precision and restraint of French professional culture, and the depth and weight of Persian intellectual tradition.
I am fluent in French and English. My Persian is functional and improving. I work across art world, private equity, food, and fashion networks in France and Europe — contexts that do not usually talk to each other, which turns out to be useful.
Self-taught in technology. My background is in business and the art world, not engineering. I learned to build with tools, not despite them — which means I approach software with a strong preference for clarity over cleverness.